Showing posts with label Dawn of the Dead. Show all posts
Showing posts with label Dawn of the Dead. Show all posts

Wednesday, August 11, 2010

Dawn of the Dead (2004)

Starring Sarah Polley, Ving Rhames, Jake Weber, Mekhi Phifer
Directed by Zack Snyder
Horror/Zombie Apocalypse
Rated R: Violence, Gore, Language, Some Sensuality

Summary:

The film begins as we slowly begin to see the zombie apocalypse develop and get a first person reaction from Ann (Sarah Polley) and well as a montage to let us know this is a worldwide event. Our entourage of characters are able find shelter at the local shopping mall. There are some hostilities with the people already at the mall, but this is smoothed over rather quickly for the sake of narrative convenience. They wait around, do some things, and then before you know it, they escape from the mall and make their way out into a very bleak world.

Analysis:

We don’t get so much of a protagonist or lead characters so much as we see some people who spend more time onscreen than others. In the original film had only four lead characters and got to know them and see them change with the situations, and because we knew them, there was some considerable tension as to whether or not they would live or die. In the remake we have at the height of the head count, seventeen characters, none of which we get to know beyond which of them is good with a gun, which one of them can stitch up injuries and which one of them is the jerk that’ll most likely abandon the group and get eaten by karma zombies. By the end I couldn’t even remember half of their character’s names.

With that being said there are some interesting ideas that are tossed around during the course of this movie. One subplot involves Ving Rhames using signboards to communicate with “Andy”, a guy who has secured himself on the roof of a gun store across the street. “He may as well be on the moon.” Ving says. It’s a rather chilling line at that, knowing that because of the undead army between them, he cannot help this man in need. The two men develop a friendship through the exchange of information and display emotional reactions to relaying of bad news. In my opinion, it’s the best part of the movie. There is also a rather gruesome scene involving a pregnant woman giving birth to a zombie baby that ranks as shocking on the emotional scale.

Despite the fact that the movie starts by focusing on Ann and reaction to the surrounding chaos she isn’t a leader or a real protagonist. As a nurse she just slaps on Band-Aids, while the other women are either elderly, in labor, or putting out so that we can see some truly pointless sex scenes. The duty of “group leader” shifts between Ving Rhames’ police officer character and “Michael” (Jack of all trades, master of none!) to handle all the dangerous situations, as that is the duty of men. I can’t help but remember “Night of the Living Dead” and the original “Dawn of the Dead” and how revolutionary it was that the black guy was in charge and could help get the survivors organized. In the very beginning we see Ann looked down upon by a doctor concerned only with his tee time because of her position as a nurse. This film could have been about Ann using her field experience as a medic to step up and lead, to show that theres more to her than what people give her credit for or what people see and feels like a missed moment of opportunity.

There are a handful of montage sequences, but none of them capture the feelings that the montages of the original did of the escapist fantasy of a shopping spree or of the futility and boredom of living in such an isolated and comfortable existence. There really isn’t any social commentary or message in this movie like there was in the original. So much of the film is just waiting around for something exciting to happen.

The zombies in this movie (curiously enough they are never called “zombies” at any point in the remake) are fast and furious, raging and raving as they crave for human flesh, much like those infected by the Rage virus in “28 Days Later”. These zombies look and feel more like wild animals than people with the way they ran, growled and were covered in blood. It really didn’t register in my mind that they were once people and it diminished both the threat of attack and the fear of what they represented.

While I respect the remake for trying out some new ideas rather than trying to carbon copy the original, ultimately it doesn’t go far enough to establish itself as something unique or different. The characters just hang around the mall waiting for something exciting to happen and I felt very much the same way watching the film itself.

Final Score:

3 out of 5. Typical. Falls short of what it could have been.

(Embedded trailer unavailable)

Dawn of the Dead (1978)


Starring David Emge, Ken Foree, Scott H. Reiniger, Gaylen Ross, Tom Savini
Directed by George A. Romero
Horror/ Zombie Apocalypse
Rated R: Violence

Summary:

The film opens on a chaotic news studio reporting the events of the zombie apocalypse as it happens. The mood is tense and the situation appears hopeless as we see scientists debating in circles about the current crisis having no definitive answer to the problem.

Our leads, recognizing the danger, manage to escape in a helicopter with the intent of going to Canada. Along the way they land on the roof of a shopping mall, where find supplies, food and shelter and decide to stay. We stick with these four for the whole movie and get to know them and see them change through the situations that they’re up against. Much like “War of the Worlds”, they are able to enjoy the comforts of home, but this soon becomes a theme of the film rather than a derailment. After they work to establish a perimeter defense the comfort they’ve achieved has been earned, but later through a series of montages we discover the futility of their daily living. The isolation is slowly driving them mad despite having all the treasures of the world. Despite some dark turns the film ends on a hopeful note with the remaining survivors escaping from the infested mall and into an unknown, but seemingly hopeful future.

Analysis:

The zombies (they are only referred to as zombies only once towards the end) in this movie are slow and lumbering with silver painted skin and blank expressions devoid of any element of emotion or humanity, and yet they are all dressed up like they were going about to go somewhere and had lives, jobs and purpose before they suddenly died. These zombies are “blanks”; they look human, but have been wiped clean of anything that made them people. Their appearance serves as a haunting mirror of what our survivors stand to lose. It felt almost as if their soul had been wiped away and left behind nothing but the empty shell and is a terrifying concept to even consider.

There is a certain wish fulfillment fantasy when we see our character run through the mall on a shopping spree which helps give the horrific scenario some levity. Not to mention the choice of soundtrack; muzak, providing ironic and happy, chipper tones over the scenes of carnage.

I was shocked in the end by a number of the deaths and violence in the action scenes, a testament to the quality of the characters even if the makeup and gore effects do seem a bit dated by our modern standards.

Final Score:

5 out of 5. Genius.